laki-watersnake:

How to make a Labrys Axe (from Persona 4 Arena)

Somebody asked how I made my axe recently, and I thought I would share how I made mine with everyone through the use of a picture guide!

Hope it’ll be useful to fellow crafters out there! (I still consider myself an amateur though, and coupled with the fact I didn’t do any research on how it could be done beforehand, there’s probably lots more to improve on how I made this.)

Complete list of materials used: Foam board, Styrofoam, Gum paper, EVA foam, PVC pipes, screws, industrial cable, wood glue, hot glue gun, spray paint, silicone sealant

Cosplay photos at the end are taken by: Brian Lim Photography (http://www.facebook.com/BrianLimPhotography) and Razrig Photography (http://www.facebook.com/razrigphotography) Thank you for the amazing photos!

reblogged 32 minutes ago @ 30 Sep 2014 with 229 notes via/source

[x]

reblogged 1 hour ago @ 30 Sep 2014 with 4,377 notes via/source
oystermag:

'Whatta Man' shot by Andre Herrero — from Oyster 104: The EXPOSED Issue.
reblogged 2 hours ago @ 30 Sep 2014 with 3,301 notes via/source
reblogged 2 hours ago @ 30 Sep 2014 with 75,735 notes via/source
chaboneobaiarroyoallende:

"They’re singing your praises while stealing your phrases."
Charles Mingus

chaboneobaiarroyoallende:

"They’re singing your praises while stealing your phrases."

Charles Mingus

reblogged 19 hours ago @ 29 Sep 2014 with 367 notes via/source
bienenkiste:

"By the sea". Anniek Kortleve by Sevda Albers for L’Officiel Mexico 

bienenkiste:

"By the sea". Anniek Kortleve by Sevda Albers for L’Officiel Mexico 

reblogged 20 hours ago @ 29 Sep 2014 with 339 notes via/source

dex5m:

How can you not love this man? [X]

reblogged 21 hours ago @ 29 Sep 2014 with 40,160 notes via/source
dkmissanya:

houseofalexzander:

Sending a big “FU” to the corporate side of the fashion industry.
As an increasingly successful fashion blogger, I have been targeted by several brands, large & small, one of which is quite a large corporation. Why? Because I am undermining a very important part of their money making system.
Today, the fashion industry is split in half. You have Women’s fashion & Men’s fashion. You will find designers here and there who produce androgynous designs but for the most part, the industry (brands & corporate companies) want designers who either design Men’s wear or Women’s wear, and follow a very gendered structure. Everything from the tailoring to the materials has to be specific to the binary boy/girl gender system.  This is why you can’t find feminine style’s of clothing tailored for the average males body type in any department store, thus creating a “mens” & “women’s” division.
Every time I modify the clothing I buy in department stores to fit my body type and then model it for people to see, not only am I inspiring people to step out of the box with their fashion choices, but I am merging two markets into one. Why is this bad for corporations?MONEY More markets equal more advertising and marketing opportunities which ultimately leads to more sales and more profit.
When I successfully inspire people to be less mindful about if they look like a girl or a boy, ultimately I am inspiring them to go against the gendered market system that brands and clothing companies make so much money off of.
I have received several hateful emails, discouraging my efforts as a fashion blogger. I was even asked by a large corporate clothing company to STOP buying their clothing and modifying it to fit my body type. They stated that by doing so, and sharing it with my audience that I was creating the illusion that gender did not exist, and that I am leading a bad example for society. …
A GENDERED SOCIETY CREATES A HUGE PROBLEM. IT DIVIDES PEOPLE.IT SEPERATES. IT CONTROLS. IT DISOLVES ANY & ALL ORIGINALITY.
FUCK YOU, to any clothing brand, company & corporation who’s got a problem with who I am, what I believe in & how I express myself.
-Elliott Alexzander

This is just so important! Gendered clothing is such bullshit and I want more people to realize!!!

dkmissanya:

houseofalexzander:

Sending a big “FU” to the corporate side of the fashion industry.

As an increasingly successful fashion blogger, I have been targeted by several brands, large & small, one of which is quite a large corporation.
Why?
Because I am undermining a very important part of their money making system.

Today, the fashion industry is split in half.
You have Women’s fashion & Men’s fashion.
You will find designers here and there who produce androgynous designs but for the most part, the industry (brands & corporate companies) want designers who either design Men’s wear or Women’s wear, and follow a very gendered structure. Everything from the tailoring to the materials has to be specific to the binary boy/girl gender system.
This is why you can’t find feminine style’s of clothing tailored for the average males body type in any department store, thus creating a “mens” & “women’s” division.

Every time I modify the clothing I buy in department stores to fit my body type and then model it for people to see, not only am I inspiring people to step out of the box with their fashion choices, but I am merging two markets into one.
Why is this bad for corporations?
MONEY
More markets equal more advertising and marketing opportunities which ultimately leads to more sales and more profit.

When I successfully inspire people to be less mindful about if they look like a girl or a boy, ultimately I am inspiring them to go against the gendered market system that brands and clothing companies make so much money off of.

I have received several hateful emails, discouraging my efforts as a fashion blogger. I was even asked by a large corporate clothing company to STOP buying their clothing and modifying it to fit my body type. They stated that by doing so, and sharing it with my audience that I was creating the illusion that gender did not exist, and that I am leading a bad example for society. …

A GENDERED SOCIETY CREATES A HUGE PROBLEM.
IT DIVIDES PEOPLE.

IT SEPERATES.
IT CONTROLS.
IT DISOLVES ANY & ALL ORIGINALITY.

FUCK YOU, to any clothing brand, company & corporation who’s got a problem with who I am, what I believe in & how I express myself.

-Elliott Alexzander

This is just so important! Gendered clothing is such bullshit and I want more people to realize!!!

reblogged 22 hours ago @ 29 Sep 2014 with 36,425 notes via/source

likeafieldmouse:

Bernadette O’Sullivan - Bed and Frostbite (2014)

reblogged 22 hours ago @ 29 Sep 2014 with 1,669 notes via/source
samascara:

writedreamlie:

livelong-mywaywardson:

pizzaccio:

dontworryitsharmony:

sweetmickeymerch:

Coming up with schemes with your best friend

Was this movie even real

HOW DOES AN 80 YEAR OLD WOMAN HAVE THE SAME CARDIO AS FIT ATHLETIC MUSCLE MAN THIS SHOW MAN

a dude turned into a llama and you’re questioning why an old lady is as fit as a muscly guy 




lol!

samascara:

writedreamlie:

livelong-mywaywardson:

pizzaccio:

dontworryitsharmony:

sweetmickeymerch:

Coming up with schemes with your best friend

Was this movie even real

HOW DOES AN 80 YEAR OLD WOMAN HAVE THE SAME CARDIO AS FIT ATHLETIC MUSCLE MAN THIS SHOW MAN

a dude turned into a llama and you’re questioning why an old lady is as fit as a muscly guy 

lol!

reblogged 23 hours ago @ 29 Sep 2014 with 415,948 notes via/source
reblogged 1 day ago @ 29 Sep 2014 with 36,909 notes via/source
reblogged 1 day ago @ 29 Sep 2014 with 1,277 notes via/source
xugh.
tuttleisawesome:

dasfreefree:

i couldn’t make this up even if i tried

WHATA WRONG WITH MA PEHNIS

tuttleisawesome:

dasfreefree:

i couldn’t make this up even if i tried

WHATA WRONG WITH MA PEHNIS

reblogged 1 day ago @ 29 Sep 2014 with 143,299 notes via/source
cosplay-gamers:

Hylian Shield Tutorial by Termina Cosplay [FB] [DA]
Materials
insulation foam (2 inches thick)
craft knife/carving knife
sandpaper
paper
pencils
worbla
heat gun
apoxie sculpt
scissors
clay tools
water
wood glue
paint
paint brushes
leather straps
screws and washers
screw driver
dry wall anchors
drill
possibly a nail and hammer (for poking holes in your leather)
Steps
First, you’ll need to draw out your full sized pattern.  I like to use multiple references when making patterns.  I used a shield that we bought for a Dark Link cosplay and the concept art for the shield in Twilight Princess from the Hyrule Historia. The Dark Link shield was used for size and the concept art was used for the details.  To make your pattern perfectly symmetrical, draw only one side by hand, and then fold over down the middle and transfer what you drew over to the other side.  
Next, take your insulation foam and use your pattern to draw the shape of the shield onto it.  Then, take your carving knife (I use an adjustable exacto craft knife) and cut the shape out.
At this point, you will need to carve the round edges onto your shield. You can draw guidelines on your foam if you would like to, but I just kind of eyeballed mine.  Just take your knife and cut off small amounts of the edges until you have your curve the way you like it. As you can see, my shield has curved edges but the center is still mostly flat.  Thats how I wanted my shield to be, but if you want your entire shield to be curved, you will either need thicker foam, or you’ll need to double up another layer of foam on top of your first.  One layer of 2 inch foam just isn’t enough to cut a curve through the whole thing and still look nice.  Once you have your curve cut, you can sand it down smooth, though this isn’t necessary because your curve will likely be covered up later anyway.
The next step is to cover your foam in worbla.  This will add durability and give it a nice surface.  Cut out enough to cover the back of your shield and another piece to cover the front.  Cut a little more than you think you’ll need to avoid any mistakes and make sure you have enough on the top layer to account for the curves.  Now set your shield face up on the bottom layer of worbla and heat the top layer of worbla over the foam.  The worbla will stretch a little, but be extra careful not to let it stretch too much, because it could easily rip in the process.  Press the worbla down on the foam to seal it and work slow to make sure the curve doesn’t end up with creases all over it.  try to keep it nice and smooth, but if you end up with some seams and creases along the edge, it isn’t that big of a deal.  As long as the center is smooth you’ll be ok.
Once its cooled off a little bit, flip it over and heat up the back side and press the worbla down to seal it.  Also go over the seems between the two piece at this point to make sure its sealed all the way around.
Next, cut off the excess along the edges, but make sure you leave about a centimeter of space around it.
Use that centimeter of extra worbla you left along the edges to seal the seams even more.  Heat the edge up, and press the excess up onto the side.  Make sure you press it up on the side rather than down on the back.  You want to keep the back nice and smooth.
Now, you’ll go back to your pattern and cut all the details out of it.  If you want to you can leave one side uncut, like I have in my picture, But I think its easier in the long run to just cut all the pieces out. 
Next, tape the center of the shield pattern onto the shield, like it shows in the picture.
Use the pattern as a stencil to draw out all the details onto the worbla.  Make sure you get the outside edge as well, and not just the center details.  If you only cut half of your pattern details out, like I did, you’ll have to flip your pattern over to get the details on both sides, but if you cut everything out you won’t have to do this, which is why I recommend just cutting everything out in the beginning.  
Some details might actually be easier to free hand.  I did this with the swirly details on the top and with the bolts around the triforce and the corners.  
Once you have all your details drawn on your shield, its time to add the apoxie sculpt.  Move your shield to a workplace that can get messy.
Apoxie sculpt is a two part epoxy clay.  All you have to do is mix equal parts of A and B to use it.  I was able to do my Hylian Shield and my Master Sword with a 4 pound kit.  It is a little expensive, but the quality is worth it in my opinion.  The clay doesn’t shrink or crack at all and is very strong and solid when completely hardened, so you’ll have a hard time damaging it. It is also very easy to work with and can be smoothed out nicely with a little bit of water.  
To mix, just grab equal parts of A and B.
Roll them into logs
Twist the logs together
And knead them together until you can no longer see any streaks.  If you don’t mix it well enough, it won’t harden properly.
The first thing you’ll add with the apoxie sculpt is the outside edge.  Follow your lines around the outside edge and cover it with a thin layer of apoxie sculpt.  Get it as close the the same thickness all the way around as you can. Use your clay tools to get a nice sharp edge, and smooth it out with some water. Add the sharp edges around the corners here too.
Optional: While your clay is still soft, go in with your heat gun and a clay tool to add some gashes and battle scars to the center of your shield.  You could also do this before you start adding the apoxie sculpt, but the order here doesn’t matter
Optional: You can also add some gashes to the sides where the apoxie sculpt is.  You can even make the slash go from the apoxie sculpt up into the worbla if you want!  Its up to you :D
Next, you’ll add in the details on the center.  Just fill in the lines with apoxie sculpt…
and shape it into place with your tools! make sure to dip your tools in water to keep it from sticking.
Do this with all the details on the center.  Some places might be easier to just use your hands rather than the clay tools.  Also use your fingers to smooth the surface out with some water.  Make sure that if you have slashes in your shield, to also put the slashes through the apoxie sculpt before it hardens.  
Once you have all your main details on, let that harden for a few hours before putting the finer details on the top.  letting it harden first just makes it easier not to mess anything up when you put more on top of it.  Here, add your swirly details and the bolts around the triforce and the corners
Here is what your shield should look like after all these steps.  Let it harden for at least 24 hours before proceeding.
After 24 hours, prime it and add your paint!  How you paint it is up to you, but I mixed metallic pigments into my paint to give it an extra shine.  For details on how I paint my props and armor, check out my painting tutorial here!  If you want details on how to use metallic pigments, click here!  
At the very last step I added a couple of leather straps (from an old leather belt) to the back for holding.  This isn’t exactly what the back of the shield looks like in the game, but it works quite well.  I marked where I wanted the straps to go on the back, drilled a hole through the worbla where I wanted the screws to go, then I pounded some dry wall anchors into the holes for extra support.  I then poked some holes through the leather straps where the screws would go through with a nail and hammer, and then screwed the straps into the dry wall anchors. You can find dry wall anchors at any hardware store.  If you want to make sure your leather doesn’t rip away from the screws, use washers with the screws.
(Used with permission, full credits to Termina Cosplay)

cosplay-gamers:

Hylian Shield Tutorial by Termina Cosplay [FB] [DA]

Materials

  • insulation foam (2 inches thick)
  • craft knife/carving knife
  • sandpaper
  • paper
  • pencils
  • worbla
  • heat gun
  • apoxie sculpt
  • scissors
  • clay tools
  • water
  • wood glue
  • paint
  • paint brushes
  • leather straps
  • screws and washers
  • screw driver
  • dry wall anchors
  • drill
  • possibly a nail and hammer (for poking holes in your leather)

Steps

First, you’ll need to draw out your full sized pattern.  I like to use multiple references when making patterns.  I used a shield that we bought for a Dark Link cosplay and the concept art for the shield in Twilight Princess from the Hyrule Historia. The Dark Link shield was used for size and the concept art was used for the details.  To make your pattern perfectly symmetrical, draw only one side by hand, and then fold over down the middle and transfer what you drew over to the other side.  

Next, take your insulation foam and use your pattern to draw the shape of the shield onto it.  Then, take your carving knife (I use an adjustable exacto craft knife) and cut the shape out.

At this point, you will need to carve the round edges onto your shield. You can draw guidelines on your foam if you would like to, but I just kind of eyeballed mine.  Just take your knife and cut off small amounts of the edges until you have your curve the way you like it. As you can see, my shield has curved edges but the center is still mostly flat.  Thats how I wanted my shield to be, but if you want your entire shield to be curved, you will either need thicker foam, or you’ll need to double up another layer of foam on top of your first.  One layer of 2 inch foam just isn’t enough to cut a curve through the whole thing and still look nice.  Once you have your curve cut, you can sand it down smooth, though this isn’t necessary because your curve will likely be covered up later anyway.

The next step is to cover your foam in worbla.  This will add durability and give it a nice surface.  Cut out enough to cover the back of your shield and another piece to cover the front.  Cut a little more than you think you’ll need to avoid any mistakes and make sure you have enough on the top layer to account for the curves.  Now set your shield face up on the bottom layer of worbla and heat the top layer of worbla over the foam.  The worbla will stretch a little, but be extra careful not to let it stretch too much, because it could easily rip in the process.  Press the worbla down on the foam to seal it and work slow to make sure the curve doesn’t end up with creases all over it.  try to keep it nice and smooth, but if you end up with some seams and creases along the edge, it isn’t that big of a deal.  As long as the center is smooth you’ll be ok.

Once its cooled off a little bit, flip it over and heat up the back side and press the worbla down to seal it.  Also go over the seems between the two piece at this point to make sure its sealed all the way around.

Next, cut off the excess along the edges, but make sure you leave about a centimeter of space around it.

Use that centimeter of extra worbla you left along the edges to seal the seams even more.  Heat the edge up, and press the excess up onto the side.  Make sure you press it up on the side rather than down on the back.  You want to keep the back nice and smooth.

Now, you’ll go back to your pattern and cut all the details out of it.  If you want to you can leave one side uncut, like I have in my picture, But I think its easier in the long run to just cut all the pieces out. 

Next, tape the center of the shield pattern onto the shield, like it shows in the picture.

Use the pattern as a stencil to draw out all the details onto the worbla.  Make sure you get the outside edge as well, and not just the center details.  If you only cut half of your pattern details out, like I did, you’ll have to flip your pattern over to get the details on both sides, but if you cut everything out you won’t have to do this, which is why I recommend just cutting everything out in the beginning.  

Some details might actually be easier to free hand.  I did this with the swirly details on the top and with the bolts around the triforce and the corners.  

Once you have all your details drawn on your shield, its time to add the apoxie sculpt.  Move your shield to a workplace that can get messy.

Apoxie sculpt is a two part epoxy clay.  All you have to do is mix equal parts of A and B to use it.  I was able to do my Hylian Shield and my Master Sword with a 4 pound kit.  It is a little expensive, but the quality is worth it in my opinion.  The clay doesn’t shrink or crack at all and is very strong and solid when completely hardened, so you’ll have a hard time damaging it. It is also very easy to work with and can be smoothed out nicely with a little bit of water.  

To mix, just grab equal parts of A and B.

Roll them into logs

Twist the logs together

And knead them together until you can no longer see any streaks.  If you don’t mix it well enough, it won’t harden properly.

The first thing you’ll add with the apoxie sculpt is the outside edge.  Follow your lines around the outside edge and cover it with a thin layer of apoxie sculpt.  Get it as close the the same thickness all the way around as you can. Use your clay tools to get a nice sharp edge, and smooth it out with some water. Add the sharp edges around the corners here too.

Optional: While your clay is still soft, go in with your heat gun and a clay tool to add some gashes and battle scars to the center of your shield.  You could also do this before you start adding the apoxie sculpt, but the order here doesn’t matter

Optional: You can also add some gashes to the sides where the apoxie sculpt is.  You can even make the slash go from the apoxie sculpt up into the worbla if you want!  Its up to you :D

Next, you’ll add in the details on the center.  Just fill in the lines with apoxie sculpt…

and shape it into place with your tools! make sure to dip your tools in water to keep it from sticking.

Do this with all the details on the center.  Some places might be easier to just use your hands rather than the clay tools.  Also use your fingers to smooth the surface out with some water.  Make sure that if you have slashes in your shield, to also put the slashes through the apoxie sculpt before it hardens.  

Once you have all your main details on, let that harden for a few hours before putting the finer details on the top.  letting it harden first just makes it easier not to mess anything up when you put more on top of it.  Here, add your swirly details and the bolts around the triforce and the corners

Here is what your shield should look like after all these steps.  Let it harden for at least 24 hours before proceeding.

After 24 hours, prime it and add your paint!  How you paint it is up to you, but I mixed metallic pigments into my paint to give it an extra shine.  For details on how I paint my props and armor, check out my painting tutorial here!  If you want details on how to use metallic pigments, click here!  

At the very last step I added a couple of leather straps (from an old leather belt) to the back for holding.  This isn’t exactly what the back of the shield looks like in the game, but it works quite well.  I marked where I wanted the straps to go on the back, drilled a hole through the worbla where I wanted the screws to go, then I pounded some dry wall anchors into the holes for extra support.  I then poked some holes through the leather straps where the screws would go through with a nail and hammer, and then screwed the straps into the dry wall anchors. You can find dry wall anchors at any hardware store.  If you want to make sure your leather doesn’t rip away from the screws, use washers with the screws.

(Used with permission, full credits to Termina Cosplay)

reblogged 1 day ago @ 29 Sep 2014 with 1,473 notes via/source
did-you-kno:

When you look at the clock at the same strange time every day, like 11:11, you’re actually experiencing a form of selective attention where your brain begins to filter out all the other insignificant times you looked at the clock that day. Source

did-you-kno:

When you look at the clock at the same strange time every day, like 11:11, you’re actually experiencing a form of selective attention where your brain begins to filter out all the other insignificant times you looked at the clock that day. Source

reblogged 1 day ago @ 28 Sep 2014 with 3,638 notes via/source